Oskar Kolberg and ethnomusicology in relation to religious songs in liv-ing tradition
The text presents a history of research on the Catholic folk singing in Poland with
a  special regard to works of the greatest Polish ethnographer, Oskar Kolberg (1814–
1890). Karol Kurpiński, a composer and the director of the National Theatre, who was
the first to debate on folk music in 1820, had promoted a functional definition of a folk
song embracing also religious singing in national language. Anthologies of the texts of
folk song edited in 1830s and 1840s put stress, however, on possibly original repertoire
of peasants transmitted orally and by memory. Religious songs as being learned basically
from prints were usually not included into folklore studies. But culture changes in the
course of the 19th century have induced explorers to document also older religious songs
in folk use, such as carrols (Michał Marcin Mioduszewski 1843). Oskar Kolberg was
concentrated mainly on regional specificity of each part of the country. That is why the
standardized repertoire of religious songs performed in churches did not attract much of
his attraction. In spite of his preferences, he had written down about 800 religious songs
in the whole collection of 20.000 vocal and instrumental pieces. These 800 songs refer to
local repertories accompanying the Lenten, Easter, Christmas, the cult of saint patrons
and connected with other contexts such as funeral ceremonies. The reason for respecting
also religious singing in Kolbergs works was a significance of the oral way of perform -ing resulting in huge amount of variants which were determined also by strictly regional
features of traditional singing. Performance practice became a common interest for both
ethnomusicology and hymnology since the 1970s, so the more that elements of Grego -rian chant have survived in living tradition up till now.